Alongside today's new marketing push to try to win back professional video editors, Apple has released updates for Final Cut Pro X, Motion, and Compressor. While Motion and Compressor have seen mostly minor tweaks and bug fixes, Final Cut Pro X has received a somewhat more substantial update including support for the new Sony XAVC codec up to 4K resolution.
- Support for Sony XAVC codec up to 4K resolution - Option to display ProRes Log C files from ARRI ALEXA cameras with standard Rec. 709 color and contrast levels - Resolves an issue where some third-party effects generated green frames during render - Resolves performance issues that could occur with certain titles and effects - Time reversed clips render in the background - Ability to use key commands to adjust Clip Appearance settings in the timeline - Ability to view reel number metadata located in the timecode track of video files - Mono audio files in a surround project export with correct volume levels - Drop zones no longer reset to the first frame of video after application restart - Fixes a performance issue which resulted from selecting multiple ranges on a single clip - Fixes an issue where the Play Around function did not work properly on certain clips when viewed through external video devices
- Resolves an issue where some third-party effects generated green frames during render - Resolves performance issues that could occur with certain titles and effects - Fixes a stability issue when splitting layers in the timeline - Fixes an issue where launching a plug-in with a check box could require multiple clicks - Fixes a stability issue with CoreMelt plug-ins
- Removes 1GB file size limit for uploads to Vimeo - Fixes a stability issue when playing back certain MPEG-2 files - Fixes a stability issue in Qmaster when processing multiple jobs
In addition to the updates for the core Final Cut apps, Apple has also released an updated set of ProApps QuickTime Codecs for Final Cut Pro X users.
Thursday January 9, 2025 5:45 am PST by Joe Rossignol
While the iPhone 17 Pro and iPhone 17 Pro Max are not expected to launch until September, there are already plenty of rumors about the devices.
iPhone 17 Pro concept based on rumors
Below, we recap key changes rumored for the iPhone 17 Pro models as of January 2025:
More aluminum: iPhone 17 Pro models are rumored to have an aluminum frame, whereas the iPhone 15 Pro and iPhone 16 Pro models ...
Wednesday January 8, 2025 6:18 am PST by Joe Rossignol
It was recently reported that new Apple TV and new HomePod mini models will launch this year, and the devices are expected to have one thing in common.
Bloomberg's Mark Gurman last month reported that the new Apple TV and the new HomePod mini will be equipped with Apple's own combined Wi-Fi and Bluetooth chip. Gurman said the chip supports Wi-Fi 6E, so that could end up being a key upgrade...
Tuesday January 7, 2025 11:12 am PST by Joe Rossignol
A new iPhone SE and an iPad 11 might be coming very soon.
In late December, a private account on X with a track record of leaking accurate iOS-related information said devices codenamed "V59" and "J481" will be released alongside iOS 18.3 and iPadOS 18.3. Bloomberg's Mark Gurman has previously reported that "V59" is a new iPhone SE, and that "J481" is a new entry-level iPad.
iOS 15.3, iOS ...
Wednesday January 8, 2025 6:33 am PST by Tim Hardwick
Apple in October 2024 overhauled its 14-inch and 16-inch MacBook Pro models, adding M4, M4 Pro, and M4 Max chips, Thunderbolt 5 ports on higher-end models, display changes, and more. That's quite a lot of updates in one go, but if you think this means a further major refresh for the MacBook Pro is now several years away, think again.
Bloomberg's Mark Gurman has said he expects only a small...
Monday January 6, 2025 10:07 am PST by Juli Clover
Apple today released iOS 18.2.1 and iPadOS 18.2.1, minor updates to the iOS 18 and iPadOS 18 operating systems. iOS 18.2.1 and iPadOS 18.2.1 come almost a month after Apple released iOS 18.2 and iPadOS 18.2.
The new software can be downloaded on eligible iPhones and iPads over-the-air by going to Settings > General > Software Update.
According to Apple's release notes, iOS 18.2.1...
Tuesday January 7, 2025 3:56 am PST by Tim Hardwick
LG has shown off a new Ultrafine 6K monitor at CES 2025. The 32-inch display is the first of its kind to support Thunderbolt 5, which Apple introduced late last year with the launch of new Mac mini and MacBook Pro models powered by M4 Pro chips.
Details are scant, but we do know that the LG UltraFine 6K monitor (model 32U990A) features a Nano IPS Black panel, delivering a wide color gamut...
Thursday January 9, 2025 3:42 pm PST by Juli Clover
If you've been hearing a chiming sound from your AirPods Pro 2 case when the AirPods are charging, it's a feature that Apple added with the launch of Hearing Health last year.
In a support guide, Apple says that the AirPods Pro may play a sound every so often while in the case to ensure the microphones and speakers are working as intended. From Apple:
To help ensure that your AirPods...
As a pro using FCPX. It's great to see all these updates (now at 8!) in the last 2 years.
I can honestly say, after being initially skeptical at NAB when it was released, FCPX is the fastest NLE on the market. I can get to the heart of the story and really play around with the edit. It truly is the future of editing.
This is all great and fine. No Mac Pro update aside, the real problem is actually much bigger than just Final Cut. The real problem is the future of quicktime itself.
There is no future for Quicktime on Windows. Apple has discontinued it. There is no Quicktime X for Windows. So how will all the content generated from Apple products be delivered to non-apple platforms - e.g. the other 80% of the computing population? Do I really need to encode an H264 AVI and an H264 MOV going forward for every media file I want people to be able to watch?
And lets not even start about the cluster-F that is quicktimes color handling across platforms. Apple's insistence on not offering a mode where quicktime player doesn't touch color at all is infuriating when you are trying to deliver content to a wide audience. Quicktime puts a wash over the whole thing, and there is no silver bullet fix. So then you get things like the Blend/Straight Alpha workaround, which introduces aliasing in full screen mode, so now your color is better - no perfect - but your content looks terrible.
If Apple is serious about catering to professionals they have a lot of cleaning house to do. At this point they are the cusp of complete abandonment.